The Nagameh Bayat Tork Bayat tork (verses of the turk, or verses of beauty) has another appellation,Bayat Zand which refers to the family of an unusually well regarded eighteen-century monarch,Karimkhan Zand. The scale of Bayat Tork is customarily written from the third degree of shur: Eb F G Ab Bb C Dp Eb,or,transpond to C, C D E F G A Bb C. Although there is little consensus among the theorists regarding this nagmeh ,all seem to agree on one characteristic-the unusual persistence of the shahed, which causes Bayat Tork to be a bit monotonus To relieve the tonal monotony,some musicians use fifth degree of Byat-tork as the note of cadencing. Two of the important gusheh-ha of Byat Tork happen to be taken from the dastgah of Mahur: Shekasteh and Delkash, on the first degree. The rast kuk is F for tar and settar,b-flat for santur and C for kamanchy. _______________________________________________________________ |
| Afshari>>>>>>>> |
| 1.Daramad 1 2. Dogha frod 3. Daramad2 4. daramad 3 5. Haji hasni 6.Gushe shakasta 7.Zangule 8. Khosravani 9. Naghme 10. Feyli 11. Bastenagar 12. Mehrabani 13. jamedaran 14. mehdi Zarrabi 15. Ruh ol arvah ______________________________________________________________ |
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| Baste Nagar |
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| Learn How to play the following Iranian and Kurdish classical instruments . Tombak,Daf,Tar,Setar,Santur, Ney,Saz, Santur, Ud (Oud) Place: Los Angeles, California Please call at : 310-4971544 or Email us: nader@newtonmusichall.com |
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