1.
Daramad 1 2. Daramad 2 3. Daramad 3 4. Daramad 4 5. daramad 5 6. Daramad 6
7. Naghme 1 8. Naghmeh 2 9. Zirkesh Salmak 10. Molla Nazi 11. Salmak 12. Golriz 13.Majles,Afruz 14. Ozzal 15. Safa 16. Bozorg 17. Kuchek 18. Dobryti 19. Khara 20. Qajar 21. Hazin 22. Shur 23. Gushe robab 24. Chahar gushe 25. Mogaddame Gereyli 26. Razavi 27. Shahnaz 28. Qarache 29. Shahnaz kt 30. Rango asol 31. Gereyli 32. Reng shar ashob
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The Dastgah Shur

That this dastgah heads the list of the twelve systems in most writings is indeed appropriate. Not only is  Shur the dastgah with by far the greatest number of gusheh-ha,but it is also the most popular one. Shur Might even by considered as a kind of basic mode since it is parent to four secondary dastgah and is related through modulatory gusheh-ha to several more. The name Shur reflects its popularity ,for it means"Spicy" or"Clever". The scale of shur is similar either to the western natural minor scale with the second degree raised by a quarter tone: C Dp Eb F G Ab Bb C. Both the shahed and ist are the first note,C. The moteghayer is the fifth note,which is lowered to G-koron for the gusheh of Shahnaz. The note on which the daramad starts is frequently the seventh scale step,B-flat. because Shur is so popular, there are several acceptable versions of the daramad.  The  rast kuk for Shur is : G or A for tar and settar,G for the santur ,and A for the kamanchay.

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