| ____________________________________________________________ THE Naghmeh Dashti This naghmeh ,clearly the most important of the auxiliary dastgah-ha beloning to shur,is also more closely related to folk music than any other dastgah or nagmeh of art music. Many folk melodies are included among the gusheh of Dashti: Gilaki, Dashtestani, Bayat kord and Chupani to name a few. Moreover ,it is generally felt that a large percentage of the folk music has the same feeling as Dashti and may even have a similar scale and melodic shape. In fact, Barkechli stete that Dashti is the basis of musical folkore. Theorist usually write the shur scale for Dashti with the third degree as ist and the fifth as shahed. Transponed to C,the Dashti scale is the same as that of Bayat tork: C D E F G A Bp C. For daramad of Dashti there is unusaual consensus in the sources. All transposed versions start on C,the ist,and rise to stress the shahed E. Rast kuk for Dashti is F for tar and settar B-flat for santur,and C for kamanchy. _____________________________________________________________________________ |
| 1. Daramad 2. Hajian 3. owj 4. Bidegani ___________________________________________________________ |
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| Learn How to play the following Persian and Kurdish musical instruments . Tombak,Daf,Tar,Setar,Santur, Ney,Saz, Santur, Ud (Oud) Place: Los Angels , California Please call at: 310-497-1544 or email: nader@newtonmusichall.com |
| TEL: 310-497-1544 |
| TEL: 310-497-1544 |